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The Taming of the Shrew by William Shakespeare

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Biographical criticism

Privacy, secrets and female spaces

Jonny Patrick explores how the secret spaces of Webster’s The Duchess of Malfi and Williams’ A Streetcar Named Desire present a challenge to patriarchal power

Jonny Patrick

Ferdinand and the Duchess in a production of The Duchess of Malfi in 2014
© David Jensen/Alamy Stock Photo

AQA (A): Paper 2B Modern times (A Streetcar Named Desire)

AQA (B): Paper 1 Aspects of tragedy (A Streetcar Named Desire)

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Previous

The Taming of the Shrew by William Shakespeare

Next

Biographical criticism

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