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The Glass Menagerie by Tennessee Williams

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The Cutting Season by Attica Locke

Theatrical giants and ghosts of a nation: Jerusalem on stage

Hannah Greenstreet analyses a 2022 production of Jerusalem and examines how the play’s construction of Englishness resonates differently from when it premiered in 2009

OCR: English Literature – NEA suggested text

OCR: English Language and Literature – Paper 2

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Previous

The Glass Menagerie by Tennessee Williams

Next

The Cutting Season by Attica Locke

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