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Structure and narration in Oranges Are Not the Only Fruit

Through an exploration of genre and literary movements, Clare Mellor considers how Winterson uses narrative perspective and structural devices to tell Jeanette’s story

OCR: Paper 2 Women in literature

Jeanette Winterson’s semi-autobiographical novel Oranges Are Not the Only Fruit (1985) is famous for its tensions between fiction and reality, drawing as it does on her own experiences of growing up in an adopted household. Critic Adam Mars-Jones describes Oranges as ‘an erratic piece of writing, with oddities of structure and point of view’ (Mars-Jones 2012). This ‘erratic’ nature could be attributed to the many layers of narrative and references to other stories which interweave with Jeanette’s tale. Understanding this intertextuality is crucial to an understanding of the novel’s meaning.

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Previous

Orsino in Twelfth Night: ‘A noble duke, in nature as in name’

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Adapting your perspective: Middlemarch through a landmark TV adaptation

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