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Classic texts, new approaches: The Great Gatsby

The Wipers Times

‘A bit like Blackadder, only true’

Caroline Barrett explores how Ian Hislop and Nick Newman’s The Wipers Times challenges the established voices of the First World War

AQA A: Paper 2A World War I and its aftermath

In the Preface to The Great War and Modern Memory, Paul Fussell states that he will explore ‘some of the literary means by which [the War] has been remembered’. He refers to the ‘iconography’ of the Great War and its generation of a powerful new mythology, which is now ‘part of the fiber of our own lives’. The enduring impact of the First World War on the British psyche is undeniable; every Remembrance Sunday the scarlet poppy reminds us of Flanders Fields, not of the many bloody conflicts which came after. This leads to a key question for any student of First World War literature: whose voices are responsible for creating our abiding ‘memory’ of a conflict that ended more than a century ago?

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Classic texts, new approaches: The Great Gatsby

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