Skip to main content

This link is exclusively for students and staff members within this organisation.

Unauthorised use will lead to account termination.

Previous

Entering fictional worlds: His Dark Materials

Next

Lydia Unsworth

Dracula’s ‘final girl’

Fergus Parnaby investigates the role of the final girl through Stoker’s Mina Harker

Edexcel: Prose paper: The supernatural

The erotic associations of Bram Stoker’s supernatural novel Dracula are well known. The titular figure represents the perfect realisation of the supernatural seducer, the phantom bridegroom that was first introduced into English literature through translations of Gottfried August Burger’s ‘hit’ ballad Lenore (1774), and became the norm in Gothic and Romantic literature. As Greg Buzwell says: ‘The vampire has always been a contradictory figure: on the one hand a repellent blood-sucking creature crawling from the grave, and, on the other, a strangely alluring representation of nocturnal glamour and potent sexuality’ (Buzwell 2014).

Your organisation does not have access to this article.

Sign up today to give your students the edge they need to achieve their best grades with subject expertise

Subscribe

Previous

Entering fictional worlds: His Dark Materials

Next

Lydia Unsworth

Related articles: