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Mrs Smith in Persuasion

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The state we’re in: The Handmaid’s Tale and The Testaments

TEXTS IN CONTEXT

The Mysterious Affair at Styles

Published 100 years ago, Agatha Christie’s first detective story takes place during the First World War. The idea of the Christie world as essentially timeless and hermetic has perhaps been exaggerated, with its English country house setting, closed group of well-to-do suspects with plausible motives, a changed will, multiple red herrings and a drawing-room revelation of ‘whodunnit’. The Mysterious Affair at Styles can be seen as the blueprint for the ‘cosy crime’ genre, as well as the novel that launched the crime-fighting partnership: Poirot and Hastings

Strychnine is the murder weapon that does for the wealthy and recently remarried Emily Inglethorp in The Mysterious Affair at Styles. As Guardian columnist Lucy Mangan notes, one can imagine Christie, a conscientious volunteer pharmacist in both the First and Second World Wars, ‘surrounded by the bottles of poisons that would one day find their way down the unsuspecting gullets of so many victims’ (Mangan 2010). Christie’s famous ‘disappearance’ amid the breakdown of her first marriage was front-page news in 1926, and the spa hotel in Harrogate where she was eventually found is now the venue for an annual crime-writing festival.

Her remarriage to archaeologist Max Mallowan meant spending summers on Middle Eastern digs where, as Mangan puts it, we can imagine ‘the meticulous plotter patiently aligning the scattered shards into a workable whole once more’ (2010).

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Previous

Mrs Smith in Persuasion

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The state we’re in: The Handmaid’s Tale and The Testaments

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