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Bildungsroman: coming into one’s own

Laura Burden explores how LGBT+ writers have adapted the traditional conventions of the Bildungsroman

James Wilby as Maurice (right) and Rupert Graves as Alec in the film adaptation of Maurice (1987)

NEA: all exam boards

Knights must win their spurs, younger sons must seek their fortune and young women must marry and live happily ever after. Young people growing into maturity were a familiar trope of folk and fairy tales before the theme emerged in some of the earliest novels, though the generic term ‘Bildungsroman’ was not coined until 1819.

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Meeting the assessment objectives

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Stanzas: a poem’s little rooms

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