Skip to main content

This link is exclusively for students and staff members within this organisation.

Unauthorised use will lead to account termination.

Previous

Translations by Brian Friel

Next

Suddenly Last Summer by Tennessee Williams

Cat on a Hot Tin Roof

Game of lies?

Nicola Onyett looks at the theme of truth and illusion in one of Tennessee Williams’ most famous works

Maggie is symbolically linked with Diana, the Roman goddess of the hunt and the moon

AQA (A): Paper 2B Modern times: Comparative set text

When Cat on a Hot Tin Roof premièred on 24 March 1955, eight years after the stunning triumph of A Streetcar Named Desire, Tennessee Williams was plagued by depression, alcoholism and a grim career crisis. To the author’s relief and delight, Cat was an instant commercial and critical triumph that played to packed houses on Broadway for nearly two years and won a Pulitzer Prize — but it was to be his final definitive success. In this seminal text, through ‘Brick and Maggie’s battle, Williams projected the war inside himself between self-destruction and creativity — his desire to reclaim his literary inheritance’ (Lahr 2015, p. 285).

Your organisation does not have access to this article.

Sign up today to give your students the edge they need to achieve their best grades with subject expertise

Subscribe

Previous

Translations by Brian Friel

Next

Suddenly Last Summer by Tennessee Williams

Related articles: