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Sylvia Plath: beyond the confessional

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The Patriot’s Progress by Henry Williamson (1930)

Choice and calculation in Pride and Prejudice

Nicola Onyett looks at the ways in which modern economic and psychological theories can shed light on the social and cultural contexts of Pride and Prejudice

Keira Knightley as Elizabeth Bennet and Matthew Macfadyen as Mr Darcy (2005)

Non-exam assessment: awareness of context and interpretations

Jane Austen’s Pride and Prejudice begins with the mothers of Meryton all desperate to acquire something new on the market that’s valuable, scarce and in great demand — ‘a single man in possession of a good fortune’ (p. 13). Mrs Bennet’s eagerness to gain a tactical advantage over her rival Lady Lucas by procuring an early introduction to Mr Bingley exemplifies the economic law of supply and demand. She rushes to invest in what looks like a rising market for fear of missing out and thereby condemning her daughters to a financially precarious future. As financial journalist Michael Sidwell put it when Jane Austen was chosen to feature on the £10 banknote:

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Previous

Sylvia Plath: beyond the confessional

Next

The Patriot’s Progress by Henry Williamson (1930)

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