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‘A mosaic hurriedly made’: The Picture of Dorian Gray

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Holding out for a hero: Pride and Prejudice and North and South

Great unrest

The Sense of an Ending

Fiona Macdonald considers Julian Barnes’s Booker prize-winning novel

The London Millennium Bridge: Tony meets the older Veronica on the Wobbly Bridge

AQA (A) Literature: ‘The struggle for identity in modern literature’

Julian Barnes’s reputation has long rested on his engagement with history. In Flaubert’s Parrot (1984) and A History of the World in 10½ Chapters (1989) he presented readers with quests for the past that turn out to be problematic. His scepticism about the possibility of sketching any complete version of the past, and his determination to challenge received narratives of history, has, despite his strenuous protests, featured prominently in attempts to categorise him as a postmodernist writer.

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Previous

‘A mosaic hurriedly made’: The Picture of Dorian Gray

Next

Holding out for a hero: Pride and Prejudice and North and South

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