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The fourth man: the role of Fortinbras in Hamlet

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‘Whited sepulchres’: the horror of Conrad’s biblical image

literature in context

Romantics, aesthetes and The Great Gatsby

Mike Haldenby explores the debt Fitzgerald’s masterpiece owes to the Romantic and Aesthetic movements of the nineteenth century

Robert Redford (right) in The Great Gatsby (1974)
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The Great Gatsby: AQA (B) Literature; Edexcel Literature; OCR Literature; OCR Language and literature

The Picture of Dorian Gray: AQA (A) Literature; OCR Literature

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Previous

The fourth man: the role of Fortinbras in Hamlet

Next

‘Whited sepulchres’: the horror of Conrad’s biblical image

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