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Identity, memory and belonging: Jackie Kay’s Red Dust Road

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Passion and desire in nineteenth-century women’s poetry

Why doesn’t Dr Faustus just repent?

Adrian Eckersley compares Marlowe’s unrepentant sinner with Claudius in Hamlet

Ian McKellen as Dr Faustus (RSC 1974)
PHOTOSTAGE

AQA (B) Literature

OCR Literature; Language and literature

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Previous

Identity, memory and belonging: Jackie Kay’s Red Dust Road

Next

Passion and desire in nineteenth-century women’s poetry

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