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Contemporary pastoral

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Ivor Gurney: writing ‘to keep madness and black torture away’

Mausoleum or house of life?

Cathy Taylor examines how houses, rooms and decoration indicate ideas of life and death in Edith Wharton’s The Age of Innocence

Scene from The Age of Innocence
ALAMY

OCR, WJEC

Houses, rooms and particular spaces figure largely in The Age of Innocence. Its central character, Newland Archer, can only achieve emotional freedom when he is able to reassess the values they have represented for him. The young man who is shocked by Countess Olenska’s bare shoulder at the opera is the same man who later feels suffocated by public form and social aspiration towards the end of the novel. At the beginning ‘few things seemed to Newland Archer more awful than an offence against “Taste”’ (p. 12). Later, he comes to describe the trappings of high society as ‘a chain of tyrannical trifles binding one hour to the next’ (p. 171).

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Previous

Contemporary pastoral

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Ivor Gurney: writing ‘to keep madness and black torture away’

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