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The Cherry Orchard: tragedy or comedy?

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Strange but true

Good belle gone bad

A Streetcar Named Desire from stage to screen

Nicola Onyett looks at ways in which the iconic 1951 film version of Tennessee Williams’ masterpiece may illuminate some of the text’s themes and contexts

Vivien Leigh and Marlon Brando in A Streetcar Named Desire
ALAMY

AQA (A) Literature: ‘The struggle for identity in modern literature’

AQA (A) Language and literature: ‘Integrated analysis and text production’

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Previous

The Cherry Orchard: tragedy or comedy?

Next

Strange but true

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